Was a member of "Louis Armstrong and his All-Stars.". singer, charming and warm, with influences from the African American In 1938 he left Whitemans band to form his own. I just pick up my horn and play what I feel., His singing was marked by an infectious Panhandle accenthe was born in Texasandby an individual manner of slurring his words. So my Hungarian friend went on the book-binding project but he toted his cymbalom along and the book bindery became the most melodious WPA project that never got off the ground. Teagarden has appeared in movies, has sung on the air and on TV, and has recorded actually thousands of sides. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". Jack said, Meet me after the last show in the cafe next door and we will go see the town. So I sat around until Jack and the boys earned their money and along about 11:15p.m. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); 1905 in Vernon 1920s - 1960s 1964 in New Orleans Al Grey Amiable/Good-Natured August 20 Big Band Bing Crosby Bunny Berigan Carefree Cliff "Ukelele Ike" Confident Day Driving Dixieland Earl Hines Dixieland Al - At the Olympia Theatre Early Jazz Elegant Exuberant Family Gatherings Fun Housework Indulgent Jack Teagarden Jack Teagarden - 100 Years from Today Jack Teagarden - Jazz Great Jack Teagarden - Mis'ry and the Blues Jack Teagarden - The Club Hangover Broa Jack Teagarden - The Indispensable 1928- Jack Teagarden-Earl Hines All-Stars January 15 Jazz Johnny Mercer LA Mainstream Jazz Nostalgic Playful Refined Reminiscing Road Trip Show/Musical Sidney Bechet Sophisticated Stylish Sunday Afternoon Swing TX Uplifting Vacation Visceral Warm Weldon Leo Teagarden Whimsical. Unfortunately, this band also cannot really be considered a success. During the 50s, Teagarden tried to stop drinking, and he left Armstrongs band to save his health and his marriage. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. In past due 1933, when it appeared as though jazz could not capture on commercially, he authorized a five-year agreement with Paul Whiteman. I got to keep moving., Finally, in the sixth successive joint, I demurred. The All Stars toured Europe and Asia in 1957-59 as part of a government-sponsored goodwill tour. Performer: Jack Teagarden and his Orchestra; Jack Teargarden Writer: Kennedy; Carr Vocal Chorus. He was identified with such tunes as I Gotta Right to Sing the Blues, St. Whats the big rush? May 2-7. But their music, and their lifelong friendship, rose above the bigotry. Nevertheless, it had been rather past due to be arranging a fresh orchestra (your competition was brutal) and, although there have been the right musical moments, non-e from the sidemen became popular, the preparations lacked their very own musical character, and by enough time it split up Teagarden was facing personal bankruptcy. In 1927, he went to New York City where he worked with several bands. All these guys include legendary musicians like Bigard, Earl Hines, Bing and Bob Crosby, the Dorsey brothers, and even Walt Disney, who shared Teagardens lifelong love of steam engines and model railroads. Cut off from the developing edge of jazz, it had no real influence and produced few recordings of note. After leaving Armstrong in 1951, Teagarden worked with his own It was this background that was probably the greatest influence on all of Teagardens work, both vocal and instrumental, and his use of the blues idiom was so convincing that Fletcher Henderson apparently suspected that Teagarden was colored. Through the early and mid 1920s, he played with several other territory bands, including Doc Rosss Jazz Bandits, and the Orginal Southern Trumpeters. His mother gave him early piano lessons, and his father, a bit of a musician himself, presented Jack with a trombone on his seventh Christmas. The September 1921 flood that brought death . Two drinks later, Pee Wee was back with the guy, who was wearing a horrible looking cap and overcoat and carrying a trombone case under his arm. Teagarden was also an excellent singer and developed a respected blues vocal style. As he spoke about the elder Goldie, there was a genuine catch in his throat. There have been times when Teagarden didnt need a rhythm section. The trombonist, nevertheless, was still a large name (he previously fared quite nicely within the 1940 Bing Crosby film The Delivery of the Blues) and he previously many close friends. Two sons from his marriage, Jack Jr. and Gilbert became musicians. I Ain't Lazy - I'm Just Dreamin'. Digitized at 78 revolutions per minute. Relax.. Jack got his first big break in a strange way. Jack Teagarden made the trombone sexy, and his pliant, lazy tone made the instrument swing like a trumpet. Among the vintage giants of jazz, Jack port Teagarden had not been only the very best pre-bop trombonist (taking part in his instrument using the simple a trumpeter) but one of the better jazz performers too. Jack Teagarden, byname of John Weldon Teagarden, (born August 20, 1905, Vernon, Texas, U.S.died January 15, 1964, New Orleans, Louisiana), American jazz trombonist, unique because he developed a widely imitated style that appeared to have arrived fully formed. A real wonderful guy to be around, but when he played his horn, he really played it.. He was buried in Los Angeles. He has played with Paul Whitemans big band, Benny Goodmans recording groups, Louis Armstrongs All Stars, Ben Pollocks band, countless groups and orchestras, many of them under his own leadership. He and his mother played duets (trombone and piano) as background to the silent films at a Vemon theater. Weldon Leo "Jack" Teagarden (August 20, 1905 - January 15, 1964) was an American jazz trombonist and singer. My Jack Teagarden Research at the IJS. Teagarden was buried in California. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. But perhaps the best introduction to Teagarden at his most brilliantly melodic, Williams wrote, Is a solo on Pennies from Heaven that he played with Louis Armstrong at a concert at New Yorks Town Hall (RCA Victor, LPM 1443). [5], By 1920, Teagarden was playing professionally in San Antonio, including with the band of pianist Peck Kelley. He headed back to New York, and by 1947 was playing with Louis Armstrongs All Stars, a smaller group that is considered to have been a leader in the anti- bebop traditional jazz revival movement. Tony Weitzel, Chicago Daily News, January 17, 1964. According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". Jack was given piano lessons when he reached the age of five. "@context": "https://schema.org", One of the surest signs of this newfound responsibility (or perhaps only a reinstated dignity) was Teagardens tour of the Orient, under the auspices of the U. S. State Department. Some sources claim his unusual style of trombone playing stemmed from the fact that he began playing before he was big enough to play in the farther positions. During this period, he was involved in a large number of recordings, with Pollacks orchestra, with other groups, and leading his own sessions. Jack Teagarden. Since much of Teagardens best work was as a sideman rather than a leader, many of his best recordings are included in collections of other artists work. His variations of Basin Road Blues and Beale Road Blues (tunes that would stay in his repertoire for the rest of his profession) had been definitive. Born on Aug. 29, 1905, Teagarden learned trombone by the age of 10. It apparently also greatly appealed to other musicians as soon as they heard it, but it relied so heavily on using unusual slide positions and on his ability to bend notes with his unusually flexible embouchure, that his style is generally considered to be literally inimitable.. 78_somebody-loves-me_eddie-condon-and-his-orchestra-jack-teagarden-bobby-hackett-billy_gbia0195458b Location USA Scanner Internet Archive Python library 1.9.0 Scanningcenter George Blood, L.P. Sorry! But the Whiteman group was not particularly musically inspired. For several years, however, Jack continued to play with local groups. Teagarden toured china and taiwan during 1958-1959, teamed up one final time with Eddie Condon for the television present/recording program in 1961, and acquired a heartwarming (and thankfully documented) musical reunion with Charlie, sister/pianist Norma, and his mom on the 1963 Monterey Jazz Celebration. As a jazz artist he won the 1944 Esquire magazine Gold Award, was highly rated in the Metronome polls of 1937-42 and 1945, and was selected for the Playboy magazine All Star Band, 1957-60. She also worked with disadvantaged youth. Both were deeply affected by a knowledge of and ease with the blues that was available to few white players of the time. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. In 1918, after his fathers death, the family moved to Chappell, Nebraska, where he and his mother again worked in the local theater. As I said, the big depression was on, and I had just wangled a cozy WPA job for the best cymbalom player I ever heard. Among his most famous recordings areThe Sheik of Araby, Stars Fell on AlabamaandBasin Street Blues. After working in the Southwest and in Mexico with pickup bands, he came to New York in 1927. Charlie Teagarden (July 19, 1913 - December 10, 1984), known as 'Smokey Joe', was an American jazz trumpeter. NEW ORLEANS, Jan. 15 (AP) Jack Teagarden, the jazz trombonist and singer, died today in a New Orleans motel. but Norma, a pianist, and Cubby, a drummer, have retired. During the recent Playboy Jazz Festival in Chicago, Teagarden and his gang came into town a couple of days early to help out on promotion for the event (by appearing on TV shows, radio interviews, and even a race track where he blew the call to the post), and to spend some time with many of his old friends who were playing in Chicagos jazz spots, music his element. Well, I took her back to Jacks hotel and I have never, come to think of it, seen the lady since. He really blew it. Size 10.0 Source 78 User_cleaned Bai Konte Johnson User_metadataentered Innodata User 02 User_transferred Jordan Gold The effect is a stifled, plaintive sound which makes the instrument sound even more like a blues singer. Fine, we said. Later the same year (1921) Teagarden joined Peck Kelleys Bad Boys in Houston. He told endless stories about a Texas piano player named Peck Kelley, and although almost no one else in jazz ever heard him play, Mr. Kelley became a legend. What he heardhelped shape his style. Jack Teagardens playing style was lyrical and seemingly effortless. His unusual approach to trombone playing had both a technical and a stylistic component. Many of his best records were made with Red Nichols. The cause of death was bronchial pneumonia, which had followed a liver ailment. His first public performances were in movie theaters, where he accompanied his mother, a pianist. Turned Pro as a Teen " You Couldn ' t Keep Jack Out of Harlem " Selected discography. [2] His brothers Charlie and Clois "Cub" and his sister Norma also became professional musicians. Even at the earliest stages of his career, he exhibited an extraordinarily elastic and modern technical facility with his lips and slide. What mattered was that Hack was a guy dedicated to the sound a hard-lipped genius can get out of a sliphorn. A bulky, sadfaced man with a husky baritone voice, Mr. Teagarden was one of the few musicians whose work aroused enthusiasm among all the splinter groups in contemporary jazz. "@type": "Person", He had been playing baritone and trombone for nine years in his school band when at age 16 he walked into the club where Peck Kelley, the pianist, was rehearsing his band. One source reports that Tommy Dorsey specialized in sweet ballads specifically because he felt his jazz was inferior next to Jack Teagarden and that Glenn Miller de-emphasized his own trombone playing after a stint playing beside Teagarden in Pollacks orchestra. From 1939 until 1947 he toured with his own big band, which, though financially unsuccessful, produced both good music and good musicians (including Charlie Spivack and Ernie Caceres). About 1923 he briefly attempted to enter the oilfield business in Wichita Falls but soon gave up the venture and returned to music. He was considered by many to be the greatest jazz trombonist of his era, but his style was so unusual that others did not follow his example. Trombone player Jack Teagarden, pictured in 1930, created a sensation in New York when he arrived from Texas. Mamo, hewould sing, when the lyrics contained the word mama; fio, when they contained the word fire.. Teagarden was the featured perfomer at the Newport Jazz Festival of 1957. His brother Charlie was a fine trumpeter, sister Norma could tear up a piano, and Clois Lee "Cub" Teagarden played drums on some of Jack's Columbia recordings in 1939. He was just downing the dregs of it when the door of the dive opened and in burst a very cute little blond. Jack Teagarden Is Dead at 58; Jazz Trombonist and Vocalist; Some Critics Considered Him a Genius His Technique Was Largely SelfTaught, https://www.nytimes.com/1964/01/16/archives/jack-teagarden-is-dead-at-58-jazz-trombonist-and-vocalist-some.html. Jack began on piano at age group five (his mom Helen was a ragtime pianist), turned to baritone horn, and lastly used trombone when he was ten. After departing Armstrong, Teagarden was a head of a progressively working sextet through the entire remainder of his profession, playing Dixieland with such talented music artists as sibling Charlie, trumpeters Jimmy McPartland, Don Goldie, Potential Kaminsky, and (throughout a 1957 Western european tour) pianist Earl Hines. Sources " Jack Teagarden was one of those rare jazz musicians who seems to have emerged into the world whole, so completely adapted to his instrument that it sometimes appeared he and the trombone had been invented at the same time and had grown up . He was also a great jazz singer, charming and warm, with influences from the African American blues singers he listened to while growing up in Texas. The listener knows she is in the presence of something rare and wondrous and magical two spirits soaring to the beat of one drummer, a drummer no one else can hear. Such memories are the stuff that Jack Teagardens daughter dreams of saving. Mole also specialized in technically spectacular playing, with staccato phrasing, big leaps, and surprising note choices. His style was remarkable for its effortless flow of melodic ideas, technical poise, and the tender beauty of its overall effect. This is a digitized version of an article from The Timess print archive, before the start of online publication in 1996. Each position causes the instrument to be a slightly different length, and the instrument can play a (different) harmonic series at each length. 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